Iran So Far for…Tea
Some time ago, I made a necessary pit stop to The Jasmine Pearl, a teashop owned by a very nice couple in Northeast Portland. I had been in before, and they were one of the few places I could pick up Yunnan-grown “Golden Needles” at a decent price. It was the perfect black tea, the shop was perfectly close, and I was perfectly broke; it worked itself out.
While conversing with the owners over a cup of GABA oolong, they made mention of a friend in Iran who was bringing back some Persian-grown tea. I thought they had said “pearls tea” at first. My ears burned when they corrected me. My “Tea WANT!” list wasn’t entirely in dire need of new additions, but the idea of tea from a growing region I wasn’t familiar with peaked my interest. Up to that point, all I knew about Persian tea was the way they served it - steeped in enough sugar to make a Southern belle blush.

When I returned home, I immediately went to digging up information about Iran’s tea history. My occidental notions of a backward country in the middle of the desert surrounded by rugs and dervishes were “a tad” inaccurate. Iran actually had a rather rich tea history, thanks to its close proximity to China - one that pre-dated European interest by a good 200 years. The town of Lahijan in the north even had their own Robert Fortune-type character. The biggest irony was that he stole seedlings from the British in India…who - in turn - had originally stolen from the Chinese.

Cultivation in Gilan province began roughly around 1900, while the first modern tea factory was built some thirty-ish years later. To this day, Iran alone produces 60,000 tons of black tea a year. The biggest tragedy, though, is that the U.S. sees nary a leaf of it. If it isn’t readily apparent to you, fair reader, relations between the United States and Iran are piss-poor at best. Reasons for this are quite valid, and I won’t go into any of that here. This is a tea blog, not a political soapbox.
It’s not entirely impossible to acquire Iranian-grown tea as an American, but chances are one would have to turn to an international site. And strong though my tea itch was, international shipping charges did much to quell the urge. That, however, didn’t stop me from posting several whiny forum queries wondering where I could acquire some without having to pound at an embargo.
Enter TeaGeek.net. Yet again.
Again, Michael J. Coffey - that sleuth of the steep - chimed in with a proverbial, “I got what’choo NEED!” (Yes, I can even hear him pounding the pavement with a pimp cane while saying that.)

Available exclusively to TeaGeek members was a tea gained through mysterious methods dubbed “Treasure of Persia”. He mentioned he’d received it in an unnamed plastic bag, and the route used to obtain it made some drug deals pale by comparison. That made this one-off sample all the more interesting.
The leaves for this were jet black, long, wide, and oozing with malt-scent. The aroma reminded me of chocolate covered berries mixed with dry smoke. In appearance, they resembled another TeaGeek score - the old-woman-handmade Georgian tea I had. They even smelled alike. For a moment there, I wondered if a fast one had been pulled on us. On close inspection, though, there were subtle differences. The cut of the Persian leaves were smaller, the rolling method seemed different, and the leaves weren’t as tippy as the Georgian. Strikingly similar, but still different beasts.

There weren’t any established brewing instructions for this, so I had to go with what I was familiar with. Like the Georgian, this looked strong enough to take a four-minute steep, but I wasn’t sure what leaf amount to use. I went balls-in with a tablespoon-worth steeped in 8oz of boiling water for the allotted four.
The result was an amber-ish liquor with a dry and smoky nose, not unlike Russian Caravan or a subtle Taiwanese Lapsang Souchong. They certainly had my attention with whiff alone. On taste, the impression shifted ever-so-awesomely to a sip with a nutty forefront. That was quickly followed up with a fruity segue to a malty middle. As far as the finish was concerned, it was all Cavendish smokiness that tapered off handsomely.

Do you know how this tea made me feel? Like I was sitting on a weather-worn rock bedazzled in jewels, silks, and gold-trimmed whatevers while Disney-esque Jasmine-like maidens fanned large feathers at me. Oh, and there was an elephant for shade because…well…all Persian fantasies require an elephant. This didn’t even need to be sweetened to death in the typical Persian tea style, but I’m sure the approach would work wonders. A very outstanding cup of U.S.-embargoed hotness.

For more information from the TeaGeek, go HERE.
The inspiration for the “punny” title of this blog can be found HERE. Don’t watch if you have no cheesy sense of humor.
My Cousin’s Early “Fred & Red”-ish B-Day Present to Me
My cousin mentioned last night that he had a surprise for me. Of course, he wouldn’t say what it was…merely told me to stay up until it was done. Unfortunately, I was asleep by 1:30AM after a night of writing.
This afternoon, I was greeted with this tribute from my cousin (a skilled artist I’d worded with on a couple of comic projects, and the guy behind my “lazy” logo); he did a tribute to my failed solo effort as a webcomic-er.
Click to Enlarge
A sign of things to come?
Maybe…
Addendum: It occurred to me that I’d forgotten to apply context for the above strip. Here you go…
My cousin and I first had a webcomic we worked on called Random Access, its short-lived story can be found HERE.
(1) The gophers in the first panel made their only appearance HERE.
(2) The demon-fighting “Loufa Knight” (as we called him) in the second panel made his debut HERE.
(3) Fred & Red was my attempt at a solo webcomic - i.e. one that I wrote and drew myself. It…well…sucked. Its “origin” story can be found HERE. The third panel of the above strip was his re-imagining of my characters. Needless to say, he did a better job.
If you care to read any of those past strips, just click on the “Webcomics” tab of this here site. Thankee.
From Georgia with Love
I just can’t seem to get away from “Georgia”. It truly is a name that follows me wherever I go. I have friends that live in that accursedly hot state. My cat bears the name (one I didn’t give her). And women I try to avoid like the plague - but still haunt me - bear the moniker. The word is everywhere…and it all stemmed from a country’s particular love of a particular Saint George. What a way to start a tea entry, eh?

The country of Georgia has a very assorted, sordid, and peculiar history…none of which I’ll cover here due to self-imposed length-constraints and laziness. Suffice to say, it’s unique, its people are unique, and the region has a unique sub-history in the pantheon of tea cultivation. Tea was first grown and produced in the 1890s. The country possessed an ideal climate for Camellia sinensis (the tea plant to you noobs), and modernized farming practices made it a viable crop.
Given that Georgia was part of the greater Russian Empire at the time, it certainly needed to be viable. Russians downed tea as if it were caffeinated vodka. A ready supply from someplace nearby was a necessity. And for awhile, the Georgian tea industry thrived…until a certain neighboring nuclear power plant went critical. You all know which one.
And there went the Georgian tea industry. Okay, that’s a bit of a dramatic generalization. Some of it also had to do with the mass production methods used in the ‘80s that cut back on quality. (Think: Nilgiri CTC-grade, only worse.) However, the meltdown didn’t help.
That didn’t stop individual farmers from continuing the art of handmade tea. Several areas - including the village of Nagobileui in Western Georgia - were upwind of the doomed power plant. Therefore…no radioactive-”tea”. (*Badam-tish*) In 2003, many of these tea families formed into their own collective, dubbed The Tea Producer Famers’ Association. Their goal: The promotion of Caucasus Tea. Their requirement of members: The tea has to be handmade. No machinery.
One of the founders - Natela Gujabidze - first started plucking tea leaves with her mother-in-law at the tender age of 17. She later worked in Soviet tea fields for 15 years. In 1977, she traveled to China to learn more about the nuances of tea production. The way she plucks, withers, and dries the ‘em result in leaves with their own character. They are long, strand-like, gold-tipped, and oozing with aroma. How do I know this? Well…against all odds, I was able to score some.

The Natela-named GOPA was made available exclusively to TeaGeek members courtesy of Michael J. Coffey - probably one of the most resourceful tea educators I’ve e-talked to. Before he mentioned it, Georgian-made tea hadn’t even been on my “Tea WANT” radar. I buried my nose in the in the bag when it arrived in the mail and whiffed grapes, smoke, earth and caramel. This promised to be an interesting cup of somethin’ special. Or so I hoped.

I asked Sir Coffey [He of the Ironic Surnames} the best way to brew this; he said to brew it like any other black tea. A trial run with a unique and rare beverage called for some patience and precision. On my first attempts with it, I went with my Darjeeling-ish approach - 1 heaping teaspoon in 8oz. of water for three minutes.
The liquor I ended up with was far lighter than I expected from a former Russian territory. The tea infused to straight amber. If I was spotting it without context, I would’ve guessed I was looking at a cup of oolong at most. The scent even made it difficult to discern blindly. It was rich with different (yet still subtle) fruit notes. Taste-wise, I detected very little dryness or bitterness; neither were present on forefront or finish. Citrus and a mysterious nuttiness came through in the middle. Interesting, indeed.
Now that I knew that worked, I had to play with it a little. Given how light it turned out at the three-minute mark, I dared an extra one for s**ts-‘n-giggles. At four, the liquor was darker - beige-to-tawny-brown with a gold-trim to it, a very bright cup. The aroma this time matched some high-altitude Ceylons I’ve tried with a floral front and a little kick of astringency. That sensation was followed up with a delicate, slightly fruit-sweet middle and a finish of…malt?

Malt?! Seriously! Sure, there are plenty of black teas that have a malty character to them, but none actually finish on that note. Especially one as light as this.
Epilogue: This was worth the hurdles it took to acquire it. Even if the whole attempt was like a scene out of some drug deal. This fix was totally worth it. I wish Natela another hundred years of success. Someone give the ol’ gal an immortality pill, please?!
Special thanks to Michael J. Coffey of TeaGeek.net for the member sample. For more information on his site…er…just go to it. (Seriously, he has a self-made tea encyclopedia there.) Or follow his musings HERE.
Strawberry Jazz for the Soul
After weeks of pondering tea pairings – food, movies, books, etc. – it was only a matter of time before I had to muse on…well…tea and music. While I can say I appreciate many different types of music, I don’t have an affinity for it. I listen to CDs (yes, those ancient things) in the car as background noise for calm in rush hour traffic. I make it a point to discover one new band a year, but I sometimes lapse on that. So, you can imagine that I was overly thankful that there was a vendor that did the music/tea pairing job for me.
The Tea and Jazz House is a relatively new operation out of Baltimore, MA. Their mission statement indicates that tea blends should be unorthodox – just as jazz was (and is). As their musically-inclined site informs, they are in the process of building a teahouse devoted to underground jazz. The first step in that journey was putting out some appropriately named blends for palate perusal.

I chose to sample their one black tea blend dubbed “The McCrea” – named for…um…
To tell you the truth, I had no idea who it was named after. The only “McCrea” name I could find that might’ve fit was John McCrea, the frontman of Cake. Not sure I would consider him jazz, though. If I were to make a suggestion to The Tea and Jazz House, it would be to provide an artist bio on their tea profiles. If only to further cite the inspiration for the blend. (That and “Pureh” is spelled wrong.)
Well, if they intended to make a blend that was inspired by John McCrea, this certainly did smell like cake. Small-cut black tea leaves were paired with mixed berries, strawberry pieces and rose petals. I couldn’t make out any of the fruit pieces in the blend, but the petals were front and center. It was also a relief to see that said petals were the pink kind. Those were best for blending, imparting a sweeter, more subtly floral rose profile than their redder kin.

Brewing instructions on the site linked to a YouTube video about brewing. That was, frankly, far more time than I was willing to devote to brewing, other than the process itself. I went with 1 tsp. in 8oz. of boiled water for a steep of four minutes. My mainstay was usually three minutes (I’m a wuss), but since this was a blend, I risked the extra minute. I prepped it and cued up a YouTube video for Cake’s “Short Skirt/Long Jacket” to pair with the tasting.
(Sidenote: The song choice was oddly fitting for this blend because I found myself – of late – being enamored by blondes in sundresses with Stevie Wonder fixations…and a fetish for strawberries. This smelled like strawberries, and the girl in question had a “mind like a diamond”.)

The liquor brewed to a tawny brown with a strong berry nose. I would even say it was a bit tart. On a blind sniff, I would’ve guessed this had a smidge of hibiscus in it. There was a bitter forefront on taste, which made me think there was a Keemun/Ceylon base. The middle was a fair balancing act between sweet, berry-richness, light astringency, and floral notes. On aftertaste, it left a lingering profile of, thankfully, strawberries.
How well did it pair with Cake? Well, to be truthful, I’m not a fan of Cake – like, at all. John McCrea’s vocals, to me, were often gratingly monotone. “Short Skirt/Long Jacket”, though, was oddly topical, playful, and catchy. That and I clearly remembered the opening riff as the introduction to the TV series Chuck. I don’t know why it took this long for me to make that connection…over tea, no less.
So, end result: Listening to Cake while drinking a berry-blended tea made me want to date a girl in a short skirt that smelled like strawberries and rose petals. Is that a success? I have no idea. But the tea was good; that’s a start.
Addendum: The vendor finally informed me that the blend was inspired by Carmen McCrea…not John McCrea. So, the Cake really is a lie.
Addendum Two: After this writing, musician bios were finally added. So, there’s also that to look forward to on the website.

To buy The McCrea, go HERE.
For more information on The Tea and Jazz House, go HERE.
Tea from Tremalking
If Thirtysomething-ish Me could encounter Junior-in-High-School Me, I would assume he’d take a copy of Wheel of Time: The Eye of the World with him to said time-paradoxical encounter. He would look the zit-faced, sixteen-year-old in the eye and say, “Don’t you dare start this series until 2012.”

Younger Me would probably respond with, “But that’s twenty years from now!”
(Sidenote: Younger me sucks at math.)
Thirtysomething-ish Me would say, ” I know.”
“Surely, the series will be done before then,” Younger Me might whine.
“Trust me, it won’t,” Older/Maybe-Wiser Me would reply. “And don’t call me Shirley.”
(Sidenote: Love of The Naked Gun transcends time.)

What was the point of this little past-versus-future hypothetical? To emphasize a series that has been with me throughout most of my adolescence and into the present day, and it shouldn’t have been! To date the series is thirteen books long spanning over two decades. The original author of the series is dead, and the reigns have since past to another. Regardless of how frustrating The Wheel of Time books were, they are clearly a part of my life. They were my Gen X Harry Potter…minus the Hufflepuffs.
In May of 2012 - barring any further delays or deaths - the series will finally draw to a close. I will either heave a sigh of relief or shake fists at the “fires of Heaven” in frustration. Either way, I will remember the good points - including a nifty little detail that I never caught on to before.
In the story (which I won’t get to here, at all), there is an island called Tremalking. The inhabitants of the island are called the Amayar, a bunch of sea-hippies that follow something similar to Taoism. Like the aborigines of Australia, they also believe the world they inhabit is in a dream-state. A little lesser known fact about these fantasy sea-hippies is that they grow their own tea.
So renowned is this tea that health benefits associated with it include relief of minor food poisoning, relaxation, relief from cramping, and other detoxifying effects. It is known to be a gentle - if bitter - beverage with a soothing character. Mentions popped up here and there in the series, but I never glommed onto them until the most recent volumes. I have two theories as to why this might be:
(1) I never noticed it in prior volumes because I had no interest in dead leaves steeped in hot water back then.
(2) The author that took over after Robert Jordan’s death was a tea drinker.
The mentions of Tremalking Black, and character references (and reverence) of it, seemed more prevalent when the narrative duties changed hands. I found this so fascinating that I wondered if other authors juggled tea in so subtle but subliminal a manner. At times, I find books that have mentions of tea, and - not surprisingly - some of the information is false. An odd occurrence if done poorly in a fantasy novel.
I guess that’s the sign of truly masterful prose - when an author describes a drink so often, and in so vivid a detail, that you actually want to try some. My own fictional pursuits of late have been clunky at best in trying to convey a love of tea with such verve and still keep the story moving. In that, though, I have a long way to go.
In the meantime, I’ll pretend that my spring-grown Ceylon was cultivated by sea-hippies.
Awesome Assam is Awesome!
Teas from the northeastern state of India called Assam are known for many things. First and foremost are their robust and malty characteristics. Second (and this is one I’ve noticed) is their lean towards – how to put it – tiramisu sweetness. Very odd. Part of their unique character comes from the varietal of tea plant used – one that is actually native to the region. Unlike Darjeeling, which uses Chinese cultivars, Assam has its own native bush, the Camellia sinensis var. assamica. Until the British came along, this shrub was only used for Ayurvedic purposes.
To me and a few others in my tea circle, Assams hold the honor of being the second manliest type of tea in existence. First place, of course, goes to the pine-smoked monstrosity that is Lapsang Souchong. I have since sampled quite a few single estate offerings – some better than others – and all have put a spring in my step thanks to the s**tstorm of caffeine they impart. But no one told me…
That there was a white Assam out there.
White teas are my muse. They started me on the path of tea exploration; they continue to haunt and heighten it. I have tried whites from China, Sri Lanka, Darjeeling, and even here in the Pacific Northwest. All were one shade of awesome or another, but I had never had a white Assam.
It’s white buffalo-esque existence came to my attention upon visiting a local tea shop. I was perusing the vast array of loose leaf whites when I came across it. So shocked was I that I could barely form the words, “I’ll get an ounce of this.”
The teller said, “That’ll be $15.”
Like a Tex Avery cartoon, my jaw dropped. I ended up leaving with just my do-it-yourself teabags. My quest was at an end by way of moth-wallet.
A year later, I received a white tea variety pack from Canton Tea Co. They always treated me super well. Of the unique teas in the batch, I expected the Darjeeling white, the Silver Needle, and the White Peony. (I adored all of ‘em.) Quietly tucked away in the mailbag, though, was something I wasn’t expecting. Scrawled in Asiatic-looking script were the words “Assam White”.

I shrieked. My brother/roommate jumped at the sound. His dog looked at me quizzically. My cat’s tail bristled in alarm. I tried to explain the significance of this one shiny, silver bag of “Awesome”…but it all came out like geeky sputters.
I brewed it up the next day.

The dry leaves looked like Silver Needle white tea by way of lawn-clippings – small, reed-like, and light green. The aroma also didn’t give off anything particularly extraordinary. It smelled like grass with a bit of a melon-mint profile – white tea-ish but not uncharacteristic. As a result, I brewed it up as I would any normal white tea; 1 heaping teaspoon in 8oz. of 165F water for three minutes. Big mistake.
I basically brewed…water. It had no character to speak of whatsoever. This being made from the same burly leaf Assam blacks were, though, I knew I’d done something wrong. I did it again, but this time I dialed the temperature on my water kettle to 180F. This was pushing it, but it was for science, damn it!
The results were pure…well..awesome.

Okay, if you want specifics, the liquor brewed to a transparent gold with a strong nose of parsley, sage, rosemary and F**KING AWESOME!!! It had the character of other white teas but with some of the malt that made Assam blacks so delectable. It was like someone said, “Melon meet Malt. Now…FIGHT TO THE DEATH!” Imagine a Viking in a tu-tu, and you’ll get the idea. Sure, he’s wearing a tu-tu, but you wouldn’t call him a sissy. This was no sissy white tea.

Further proof of its lack of sissy-ness arrived by steep five. Yeah, you heard right. Steep f**king five. This pitbull puppy of a tea lasted five infusions without letting go of its flavor. I only ran into one other white tea that lasted that long, and that was from the U.S. of A. Most taper off by steep three.
Canton Tea Co. mentions that this white tea is from the Mothola tea estate, one of the only estates in Assam to produce white teas. In other words, this was a rare pleasure indeed, and that sort of explains the high price tag for Assam whites in general. Still, considering how much bang you get for that buck (five steeps!), I’d say fork it over. This was not a white tea for wimps…even though I am one.
To buy Canton Tea’s Assam White, go HERE! (If you dare…)
Braving Oregon Brewfest 2011
I will preface this by saying, “I’m writing this while still buzzed.”
There is no better introduction to the below missive than that. It seemed prudent and logical to post my experience at this year’s Oregon Brewfest right after it just happened. Okay, granted, it’s still going on at the time of this writing, but my experience with it has just ended…and I have the chicken-scratched notes and incriminating photos to prove it. So…onward to the frivolities of the first day!
Initially, I had planned on going by myself. Everyone else - those responsible bastards - had “jobs” they went to, like the normal 9-5/five-days-a-week clock-punchers they were. My “weekend” - such as it was - fell on a Wednesday and Thursday - so my only free day to go to the Brewers Festival was on the first day. Unfortunately, no one else could join me on said excursion. As a result, I was torn.
Do I (a) stay home and write fantasy stories like a responsible writer, or (b) head down to Brewfest like the thirtysomething miscreant I liked to think I was. Evidence was pointing to the former until I got a call from my cousin, Jason. He wondered if I would mind a tag-along. “Hell no I wouldn’t mind the tag-along!” I said, emphatically (paraphrased slightly). And off we were to grab food and caffeine before the impending event.

After MAX-ing it downtown, it became clear to us that the myth of the “slow first day” of Brewfest was all but shattered. Apparently, the word had gotten out - since last year - that you could actually sample the beers you wanted within a decent amount of time the earlier you went. My respite was dead. The secret was out. Brewfest was crowded…even on the opening day of the festivities. Luckily, there was still room to navigate the tents to try what we wanted to.
Standout Beers of the Day:
Amnesia Dopacetic Imperial IPA - I was impressed with the initial hoppy forefront, but even more so in the citrusy finish. The sign of an exceptional IPA.
Pyramid Dark IPA - Like the Amnesia offering, it also had a citrusy profile. I’m not usually impressed with the Pyramid brand, but this was a standout. Part of that is my predilection toward black IPAs in general.
Beer Valley Brewing’s Jackelope Imperial Pumpkin Porter - While it had a pretty standard porter delivery, and next-to-no pumpkin presence to speak of (from what I could tell), it was worth mentioning for the name alone…and the fact that the brewery is out of Ontario, OR. - a place known for their dislike of bars.
Dogfish Brewing Black and Red - This is a beer I adored but my cousin didn’t like. It was described as a berry/mint stout with a sweet/hoppy profile. Cinnamon was what came to mind when I sipped it. This was a beer best served cold…not at room temperature. Extremely strong.
Great Divide Rumble - Hard to describe this one. I mooched this off an acquaintance, and - my god! - it was good. I wish I had better notes than that…but I don’t.
The Buzz Tent:
As was the case last year, the true gems of Brewfest were the options presented in the two-token Buzz Tent. Granted, they were twice as much as the samplers presented in the normal tents, but - man - they lived up to their price tag. Here were the few I tried.

Kona Brewing “Lime Leaves” - Kona wasn’t even listed as one of the Buzz Tent participants, but they came through with their “lime leaves” ale. No idea what was in it, except for the one ingredient, but it was citrus/sour awesomeness. And I’m not the only one who said so.
Hollister Brewing Black Ice - This was a unique one. None of those folks I was with could make heads or tails of it. I actually had to consult the website to finally discover that it was an Imperial Stout. Could’ve fooled me. Our first guess was that it was an oak-chip-aged porter. I guess we were way off. Still…damn good.
Gilgamesh Brewing Mega Monster DIPA - I was already a fan of Gilgamesh because of their tea-brewed Mamba, which I did a review for. I remember sampling their normal Mega Monster at the same time, but not the Double-IPA. Holy wow, this was strong on the hops, but - unlike some doubles out there - it still maintained a smooth character. Well worth the two tokens.
Alameda Brewing My Bloody Valentine - This wasn’t the one they had initially listed in the Buzz lineup, but it was a stand-out for its Belgian forefront (which I usually don’t care for)…but a thick, Dubbel-worthy finish. As my cousin said, “It’s like its wearing a hoppy bikini.” I can’t disagree.
Full Sail Old Boardhead Barleywine (1995) - Unlike last year, this was the only barleywine they had on tap. It just so happened to be the oldest barelywine I’ve ever encountered also - dating back to my graduation from high school. I have few words to describe how wonderful this was, but my cousin (again) observed my facial expression and said, “I think he just came.” ‘Nuff said.
Lucky Lab Brew Pub Super Gin Dog Ale - I looked at the name of this beer and veered my way through the crowd to try it. It was as I hoped it would be - a gin barrel-aged ale. The volunteer didn’t know what kind of ale was used, but whatever it was it worked. It had a juniper body with a berry-to-hop finish. Perfect for what they set out to do.
The Best of “the Buzz”:
Riveport Brewing Whisky Barrel-Aged Stout - This was the clear favorite beer of Brewfest, and it was gone before we knew it. What else can be said about a barrel-aged stout other than it had the peaty/smoky notes that were expected of its kind…and then some. It tasted like burnt German chocolate, campfires, and liquor. To say I need to visit this brewery would be an understatement. Argh!…damn good.
Observations of the Day:
These are just random notes I took based upon what was said to me (via text or in person) over the course of the afternoon, as well as observations either I made or another person voiced.
- My cousin: [referring to me] “Jesus, he’s like a beer ninja veering through the crowd.”
- My cousin: [to me] “You’re like a beer ferret.”
- I was complaining about the random “WHOOOO”-ing of people in the tents. My cousin finally educated me on why that was a precedent. Apparently, that is done if a brewer taps a new keg. After all the years I’ve attended Brewfest, I did not know this.

- On our way out, I had use the restroom. I have no idea how - or by what magical ninja skills - my cousin came by this knowledge, but he could navigate his way through a Nordstroms without anyone picking up that he was a Brewfest-er looking for their bathroom. It was seriously skillful.
Random Text from a Friend: [Who got there after we left] “There must be a stripper convention in town because I don’t remember this many hot chicks being at Brewfest last year.” And an hour later…”Oh wait…the sun is gone…and so are they.”
The Best Brewery of Brewfest:
That honor belongs to FiftyFifty out of Truckee, CA. I remembered them from four years ago; they were the first brewery that ever came up with a chamomile wheat beer. I liked it - immensely. I had friends that tried their wares since then, but I rarely heard mention of them at future ‘fests. This year they had, not one but two - one of which was presented at the Buzz Tent.
FiftyFifty Brewing Donner Party Porter - This was one of their regular mainstays, but it was a rather interesting beast. At first, we noted that it had the texture and taste of an ordinary porter…but something happened on the finish. There was a smoky/woody profile that took over and transcended this from good to great.
FiftyFifty Brewing Barel Rouge Baltique - I have no idea what this beer was. My compatriots had no idea what this beer was. The FiftyFifty website had no mention of what this beer was. Whatever it was…it was unbelievable. It tasted like a port wine-casked porter. Quite extraordinary, and the second best beer of Brewfest. Beat out only by the whiskey barrel stout.
In Closing…
I had a remarkable time in excellent company this year. And I made it back to Sunset Transit Center safe and sound. But if anyone asks about the emergency vehicles that were found at said transit center…um…we had nothing to do with that.
Honest.

Attack of the Coffee Clones
“Ersatz” is a German word that roughly translates to “substitute or replacement”. English speakers adopted it to refer to an inferior copy of something else. The original definition, however, does not indicate that the duplicate need be inferior - merely alike. My first exposure to the word arrived in two different ways the same year - one while reading a textbook (and falling asleep), the other used by a very glib and verbose friend of mine (who made me fall asleep). Of all the scholastically snobby traits I’ve developed, the use of “ersatz” never entered my lexicon. (Although, I still use “lexicon” regularly.)
The unique word was recently adopted by an outfit in Bellefonte, PA., called the Coffee Trade Company. In a “charmingly anachronistic” fashion (their words), they developed a coffee substitute that differed from others on the market. Most coffee subs I’ve encountered contain some combination of three ingredients - barley, chicory, and dandelion root. The last of which is often used as the primary.

On an attempt to find a coffee clone I liked, I experimented with a dandelion/chicory blend and straight roasted dandelion root. The results were underwhelming. On a later brew-up, I tried a Japanese barley tisane (mugicha) and found it quite delightful. While I didn’t experiment with blending any further, I readily assumed that those three were the magic ingredients for creating the perfect “coffaux”.
Ersatz went a completely different route, sidestepping the barley and dandelion entirely. They kept the chicory - likely for coloring purposes - but used roasted peas and roasted ri-…wait, did I read that right? Roasted rice?
Drat.
If it hasn’t been made apparent, I’m not a fan of rice as a tea additive. Genmaicha - the premier rice-blended green tea - is my least favorite. There’s only been one rice-flavored anything I ever favored drinking, a sticky rice pu-erh, and actual rice wasn’t included. In my palate opinion, rice can only be eaten, not steeped. And, yes, I’m fully aware that I’m in the minority.
To Ersatz’s credit, the blend smelled wonderful. It was equal parts toasty, roasty, earthy, woody, and…well…manly. There was a rough, wildernessy feel to the aroma, like coffee on a campground. Rice was not the dominant presence, nor was the tangy chicory. I hoped that carried through in the taste.

Brewing instructions were dead simple. It was a large teabag, and the ingredients were strong herbals. Great care wasn’t necessary. All I had to do was dunk the bag in a cup of boiled water for three-to-five minutes, and I was done. I tested the bag out at a full five minutes.
The result was a cherry-wood-to-dark-brown liquor with a strong “cooked trail mix” aroma. In all honesty, it didn’t smell like coffee. The smell sort of reminded me of barley but with less emphasis on the roasted characteristics. To the taste, it started out well enough, imparting a toasted/herbal profile but quickly translated into something I didn’t favor. There was the rice, I thought to myself. Two-thirds of the blend was wonderful and almost coffee-like, but the rice-reared finish was off-putting.

Not willing to admit defeat, I dared a second brew-up - this time at the three-minute mark. The liquor infused to the same deep brown but slightly lighter. The aroma was just as toasty as the lengthier infusion but a bit gentler on the nose. The flavor was a welcomed relief. All roasty/toasty beverage, no rice; if there was a rice presence, it was thankfully muted. Toasted veggies, smoked herbs, and an urge to go hiking were the only impressions imparted. The real joy came with the inclusion of milk and stevia. Now that was where it reminded me of coffee. Any faint rice-recoil was permanently subdued by the addition of dairy and sweet things.

I would be hard-pressed to call this end-all/say-all substitute for coffee. Having talked to my fair share of goths, hipsters, clock-punchers, and wired hackers, they will never give up their coffee. Ever. The flavor only leaves a faint impression of the blunt-force wake-up bean. That said, I could see a coffee drinker enjoying it as a nightcap. I certainly did.
But now I have a strange desire to write beatnik poetry…about clones. Why is that?
To buy Ersatz Coffee, go HERE.
Smells Like Pure Nirvana
In Buddhist thought, nirvana is defined as “freedom from suffering”. That doesn’t just mean pain, but rather freedom from the game of life (or “samsara”). It also signifies freedom from the endless cycle of death and rebirth - the ultimate goal for attaining spiritual oneness with all things. The word was also the name of an overrated grunge band from the early 90s that somehow became the voice of “my generation”. Their music symbolized freedom of a different sort.

While nirvana no longer holds the same connotation thanks to that rock-‘n-roll inception, it does still hold significance. Being a thirtysomething with a dubious lot in life, I try to find peace wherever I can get it, preferably not in a harmful and addictive way. Well…one out of two ain’t bad. Oolong may be good for me, but it’s also really addictive. Funny, since I started off hating oolongs.
Ever since learning to brew the semi-oxidized teas in a gaiwan, they’ve become habit forming. Oh, I still prefer my matchas, white teas, and Yunnan golds over ‘em, but I could drink oolongs all day. All. Day. White teas are like Cavendish pipe tobacco. Oolongs are menthol cigarettes.
Thus far my favorites have all come from the isle of Taiwan (or Formosa to the old school sort). Some Chinese ones have proven themselves worthy of multiple sips, but they don’t hold a candle to a high-altitude Bai Hao or Alishan. That said, there was one region that I hadn’t tried oolongs from, even though I’d heard scant mentions of them - Darjeeling. A random message from East Pacific Tea Co. changed all that.

In appearance, their Pure Nirvana bore a striking resemblance to just about every Darjeeling first and second flush OP I’ve ever seen. The color palette ran the gamut from tippy gold to roasted, dark brown. If I was looking at this blind, I would’ve guessed it was an Indian black tea or a Formosa oolong. The aroma was also inviting with its clean, grape-spice profile - almost like a white tea but deeper.
Brewing instructions recommended a steep of three-to-five minutes in 195F water. I agreed with the temperature but not the prep. If it was an oolong, there was only one way I could do it. You guessed it, in a gaiwan. I used 1 heaping teaspoon of leaves , did four successive steeps - first two for thirty seconds, the last for forty - and jotted down my opinions of each. I hoped there were shifts in flavor between them like its Chinese counterparts.
First infusion (thirty seconds): “Holy whoah!” was my first reaction to the scent of this pale, amber-colored infusion. That grape lean I detected on a dry whiff had doubled after brewing. It smelled like a first flush Darjeeling with a muscatel lean. Taste reflected that as well. The only major difference was the roasty finish, reminiscent of other oolongs.

Second infusion (thirty seconds): The liquor was darker this time, taking on a copperish-gold palette. The aroma was deeper on the spice with a slightly nutty trail-off. This echoed as well in the taste with a tamale-esque forefront, followed by a fruity body and a faint astringency on the aftertaste.
Third infusion (forty seconds): Straight amber infusion this time ‘round with a more balanced spice-grape aroma. One nostril note didn’t dominate over the other. The flavor was also more even, if a little more subdued. Heavier fruit taste on the finish, though, and almost no dryness/bitterness.
Fourth infusion (forty seconds): While more bitter than the other three steeps, this was perhaps my favorite. Everything just seemed louder and lovelier from the scent to the flavor. There was also an earthier tone to it, which truly made it an oolong in my eyes.

Pure Nirvana kept its strength for at least three infusions later, never letting up on its muscatel profile for a moment. After a rather long work week, it was truly a pleasure to experience this wonderful oolong. I stayed at home in my pajamas, sipping the day away like some fat, thirtysomething Buddha. And I was happier for it.
For more information on East Pacific Tea Company, go HERE.
To buy Pure Nirvana, go HERE.
“Thé”-ater: Tea Time at the Movies

My mother is an idea gal – always has been. The part that’s most frustrating – especially for me, the eldest of her brood – is that she is right 90% of the time. I think she missed her calling as the head of a newspaper, the magnate of an advertising agency or the moderator for a think tank. Her braingems should be bottled and sold on the black market for six figures. I say this because…well…she’s the reason this entry exists.
One phrase from her, just one phrase: “You should do movie reviews with tea.”
At first I scoffed at the idea, but then I tossed it around in my head (over a cup of tea). I thought back to the last few summer movies I’d seen, mulled over my opinions but also what teas I felt like drinking after them. Surprisingly, finding matches didn’t take that long.
Here are my thoughts:
Thor

I was not excited for this movie at all when I first saw the trailer. It resembled Flash Gordon by way of Iron Man – cheesy but visceral. The choice for director also made my brow furrow. What did Kenneth Branagh know about directing a comic book movie?! Granted, he could easily pull off “EPIC!” if he had, too…but a Space Viking movie? Secondly, it was Thor. I don’t know anyone that cares about the wing-helmeted thunder god.
What gave me some measure of hope was the writer who penned the script. I was already a fan of J. Michael Straczynski from his five-year magnum opus, Babylon 5. He also had extensive experience as a comic book writer. If anyone could make the foundation translate to cinema, he could. And, boy, did he.
The combination of tongue-in-cheek, fish-outta-water, and Shakespearean posturing made this one of the most entertaining trips to the multiplex in some time. Marvel really knows how to dial up the “FUN” factor for an intro to summer. In hindsight, nothing much appeared to happen, but I look back on it fondly.
Tea Match: “Golden-Tipped Assam”
Assams tend to be thick, malty teas usually used as the base for wake-up breakfast blends. Tippier Assams – I’ve found – possess a honey-like texture to them, similar to a Golden Yunnan. That smooth sweetness along with the burly malt bite are a good compliment to a movie featuring a golden-haired, muscle-bound god with a ridiculously large hammer.
Pirates of the Caribbean: On Stranger Tides

The first Pirates of the Caribbean did the impossible; it was a well-crafted and witty movie inspired by a theme-park ride and single-handedly brought back the swashbuckler. To that, I say, “Bravo.” Unfortunately, that movie had siblings. Snot-nosed, whiny, fat, bloated siblings. The two follow-ups were a complete and utter mess. They were well executed, special effects were top-notch, but the story (or what passed for one) was pure seagull splatter. I was not looking forward to a fourth outing.
On a whim, I caught a late showing of On Stranger Tides and found myself…not hating it. Oh, it was still as drivel-ish as her two predecessors, it looked cheaper than it was, and making Cap’n Jack Sparrow a protagonist was a horrible idea, but it at least tried to match the medium scale and old-school feel of the first one. I won’t see it again, but it didn’t leave a poor taste in my mouth.
Tea Match: “Kombucha”
No, I don’t mean the bacterially-cultured “mushroom tea”. Kombu is the Japanese word for “kelp or seaweed”. I personally haven’t had it, but I’ve eaten the key ingredient. Kelp has a very sweetly vegetal, salty profile, and I assume the same could be said for its infused namesake. Unfortunately, it shares the name with another “tea” that utilizes steeped bacteria…and tastes like iced vinegar. Seeing a fourth Pirates movie was exactly like that name/flavor confusion – a well-meaning but unfortunately-named oddity.
Kung Fu Panda 2

The first Kung Fu Panda was lightning in a f**king bottle. It succeeded with what it set out to do - tell a story of a kung fu fanboy given the opportunity to be martial arts legend. That premise alone is every chop-socky geek’s wet dream. The fact that it also stayed true to the trappings of the martial arts genre helped it to transcend its Dreamworks label. Thankfully, it was also successful with mainstream audiences. (It starred a panda; this was a given.)
A sequel was inevitable, and Dreamworks was hit-or-miss with animated follow-ups. I hoped they’d learned their lesson from the last three Shrek movies. In my opinion, they succeeded. KP2 continues where its predecessor left off and explores its protagonist’s background – one that is steeped in prophecy and folklore. I even got a little man-teary towards the end, a good sign.
Tea Match: “Keemun Hao Ya B (with cream and sugar)”
Keemun is a Chinese black (or “red”) tea with an interesting flavor profile. It is almost as malty as an Assam, but also possesses shades of sweetness and smokiness. If done right, it brews to a bold crimson and – when sipped slowly – imparts its nuances gradually. Hoa Ya is a grade known for its silver tippy buds and delicate delivery. The “B” sub-variety tends to be a tad more rough around the edges – as is Kung Fu Panda 2 in comparison to its predecessor. But it takes cream and sugar well, making it more palatable for the kiddies.
X-Men: First Class

Like the Pirates of the Caribbean movies, X-Men suffered from a severe case of Sh**ty-Sequelitis. Well, third time’s a charm, according to the Powers That Be. However, to justify the existence of yet another prequel after the disastrous Wolverine movie, some major liberties had to be taken. In a brilliant move, they adopted a typical comic book motif to do this. They ret-conned and pretended the last two X-movies never existed.
For the most part, the maneuver paid off. While none of the secondary ensemble characters do much in the movie other than look badass or attractive, the dynamic between a young, brash Charles Xavier and a hot-headed (but suave) Erik Lensherr – soon-to-be Professor X and Magneto, respectively – is surprisingly well-crafted. There are plot-holes abound, special effects misfires, and some dreadful acting from a certain blonde that makes Keanu look nuanced. All said, it holds up well. Time will tell if it’s as memorable as the first two.
Tea Match: “English Breakfast (with a blended Keemun/Assam base)”
There is no set recipe for English Breakfast; the only adherence that must be made is to its strength. The blend should zing! you awake in a matter of sips. Tasting good is optional. I’ve heard some schools of thought state that Keemun is the preferred foundation, while others say Assam. What is agreed upon is that it must have an ensemble of ingredients that jolt the drinker upright. EB does this, and so does the new X.
Super 8

“MOAR LENSFLARE!!!”…seems to be the battle-cry of writer-director-producer-mindf**ker, J.J. Abrams. I’m not sure when this cinematographic calling card began, but it was most apparent in his reboot of the Star Trek franchise. In Super 8, he tones the flare down a bit but keeps just enough to give the movie a retro feel – as was his intention. This pays homage to the Steven Spielberg sci-fi flicks he grew up with and it shows.
All the ingredients are there: Unseen monster from space? Check. Comedy relief in the form of a high-voiced fat kid? Check. Shadowy military conspiracy? Check. Coming of age romance? Check. Mix and serve. If it had one major flaw – and it’s a doozie – it’s that the movie has no real identity. The strongest parts were the Spielbergian/kiddie character scenes. Everything else seemed “meh” by comparison. This could’ve been a true 80s sci-fi send-up if it weren’t so schizophrenic.
Tea Match: “Matcha-Iri Genmaicha”
I love matcha (Japanese powdered tea), but I loathe genmaicha (Japanese “poor man’s” tea…blended with rice). Put the two together, and you have something that I begrudgingly enjoy. The nuttiness of the rice is downplayed by the kelp-like sweetness of the matcha. The blend is even better if the green tea base is a higher-grade sencha rather than crude bancha. This is as conflicted a blend as the elements of Super 8 are. Parts work, parts don’t. The experience is watchable/drinkable, pretty to look at, but – in the end – forgettable.
To conclude, I had way too much fun doing this. My mother’s brain wins again. The summer’s still young, and I can’t wait to ponder what brews up well with other blockbusters. I wonder if I could sneak a teapot into the theater. Hrm. Probably a subject for another blog.

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